About Me

I am a passionate and innovative designer with a wealth of experience in transforming complex information into engaging visual content. My career has spanned various roles in graphic, editorial, and branding design, and I have recently focused on advancing my expertise in UI/UX design. I am driven by the challenge of creating intuitive and user-friendly digital experiences, seamlessly blending aesthetic appeal with functionality. My approach involves meticulous research, user-centric design principles, and a deep understanding of visual communication.


  • Moscow State Academy of Arts and Industry S.G. Stroganov
    Communicative Design (2004–2011)
  • Internship: COLORS magazine (2011)
  • Practicum by Yandex: Product approach for designers (2024)


Artonica Agency

  • Designer (2005–2009)
    • Crafted visually appealing designs for a variety of clients.
  • Art Director (2009–2012, 2014–2016)
    • Led a team of designers, overseeing the creation of innovative visual concepts.

Moscow State Academy of Arts and Industry S.G. Stroganov

  • Senior Lecturer in Communication Design and Typography (2011–2014)
    • Educated and mentored students in the principles of design and typography.

Variety Russia Magazine

  • Art Director (2012)
    • Directed the artistic vision for the magazine, enhancing its visual appeal.

Zoloto Agency (2012)

  • Art Director
    • Led creative projects, ensuring high-quality design outputs.

VOKRUG SVETA Publishing House

  • Art Director of Tourist Guides Department (2013)
    • Oversaw the design of visually compelling tourist guides.

ABCdesign Studio

  • Art Director (2016–2021)
    • Directed various design projects, from concept to completion, for a diverse clientele.

As We Design TLV

  • Brand Designer (2022–2023)
    • Developed and implemented brand strategies and visual identities.

Freelance UI/UX Designer (2023–Present)

  • UI/UX Designer
    • Led the design of user interfaces for web and mobile applications, ensuring a seamless user experience.
    • Conducted extensive user research, interviews, and usability testing to inform design decisions and improve user satisfaction.
    • Created wireframes, prototypes, and high-fidelity mockups using tools like Sketch, Figma, and Adobe XD.
    • Collaborated with cross-functional teams, including developers, product managers, and stakeholders, to deliver cohesive and effective digital solutions.
    • Implemented responsive design principles to ensure optimal user experience across various devices.
    • Utilized design thinking methodologies to solve complex problems and enhance the overall user journey.

Awards and Recognitions

  • 2018–20: Laureate, Competition of Book Illustration and Design “The Image of the Book”
  • 2015–17: Long List, “Best Book Design from All Over the World” (Frankfurt Buchmesse)
  • 2018: Winner, New Design for Serial Publications of the Tretyakov Gallery
  • 2016: Silver Award and Finalist, National Book Design Competition “Zhar-Kniga”
  • 2006: Finalist, Post It Awards


  • UI/UX Design
  • User Research and Usability Testing
  • Wireframing and Prototyping
  • Visual and Interaction Design
  • Responsive Design
  • Design Thinking
  • Adobe Creative Suite (Photoshop, Illustrator, InDesign)
  • Sketch, Figma, Adobe XD
  • HTML/CSS (basic)


  • Book and Editorial Design
  • Branding
  • Typography
  • Graphic Design
  • Visual Communications
  • User Experience Design
  • Interaction Design


Daniel Bondarenko
Василий Кандинский. Контрапункт: «Композиция VI» — «Композиция VII» 
Wassily Kandinsky. Counterpoint: Composition VI — Composition VII 

198 × 265 mm
Paper: HannoArt Bulk 150 g/m², Pergraphica 130 g/m²
72 pages
ISBN: 978–5-89580–127–7

Made in ABCdesign

To mark the 150th anniversary of Kandinsky’s birth, the Tretyakov Gallery has collaborated with the Hermitage Museum to bring two of Vasily Kandinsky's most iconic works Composition VI and Composition VII together in Moscow.
   Abstract by nature, music was a key driving force behind Kandinsky’s search for pure forms and colors. Likening painting to composing music, he often used musical terms, such as impressions and compositions to identify his works. A crucial concept in the artist’s system is counterpoint — the art of combining different melodic lines in a musical composition. Borrowing the idea from musical theory, he applied it to painting, describing it as superior way of organizing an artwork.
   “Counterpoint as we know is comparison or contrast of two melodies. But for Kandinsky this is comparison or contrast of color patterns, of color and form. In some cases, it can be polyphonic compositions, in others it can be rougher cacophonic collisions,” said Lyudmila Bobrovskaya, the curator of the exhibition. ©

 “Painting is a rumbling battle of worlds, which is meant to create a new world called a work of art through this battle. Technically, all the works emerge the same as spacedid – through catastrophes, which are like chaotic roars of orchestras, uniting into a symphony at the end. Creating a work is creating a world.” (W. Kandinsky, “Steps”)

АМО ЗИЛ. 100 лет
AMO ZIL. 100 year anniversary

240 × 320 mm
Paper: Arctic Volume 150 g/m²
160 pages
ISBN: 978-5-4330-0048-3
Made in ABCdesign

The Lumiere Brothers Center for Photography presents a new edition of AMO ZIL, 100 Years dedicated to the 100th anniversary of one of the country's most famous factories, the IA Likhachev Plant. The plant, founded in 1916, was not only the center of the automobile industry in the country, but a factory-city, a full-fledged city unit with its territorial and architectural features, infrastructure, history and traditions. The album, building the chronological line AMO — ZIL — ZIS — AMO ZIL, traces the history of the plant from the very first years of its existence, reflected in the works of famous photographers such as A. Rodchenko, A. Shaikhet, E. Evzerikhin, M. Prehner, Y. Khalip, V. Khukhlaev, Yu. Abramochkin, L. Sherstennikov, etc. ©
Жан Жене «Альберто Джакометти»
Jean Genet “Alberto Giacometti”

Ad Marginem Press
130 × 185 mm
Paper: Munken 120 g/m²
96 pages
ISBN: 978-5-91103-337-8
Made in ABCdesign

Sixty years after its release with Éditions L’Arbalète, this book remains one of the most precious testimonies of the artist’s work and a unique description of his creative world.
   With the permanent reconstruction of the artist’s studio, the visitor will discover what Genet considered to be “the most important and the most complete” of Giacometti’s artworks, “his other self, the essence and ultimate residue of his artistic contribution.” It was in this legendary space, covered in dust and plunged into silence, that Genet, seated on an uncomfortable straw chair, posed on several occasions between 1954 and 1957. Between the two men, an intense dialogue was established, which revealed the very essence of art and of Giacometti’s personality. ©

daniel [at]
graphic designer